Uncategorised Archives 32481u South West Londoner /uncategorised News, Sport, Entertainment & Food Fri, 16 May 2025 16:50:52 +0000 en-GB hourly 1 https://wordpress.org/?v=6.7.2 London alcohol death rates reach record high but rank low compared to rest of England 504y59 /uncategorised/16052025-london-alcohol-death-rates-reach-record-high-but-rank-low-compared-to-rest-of-england /uncategorised/16052025-london-alcohol-death-rates-reach-record-high-but-rank-low-compared-to-rest-of-england#respond <![CDATA[newsdesk5]]> Fri, 16 May 2025 16:50:50 +0000 <![CDATA[Uncategorised]]> <![CDATA[alcohol]]> <![CDATA[alcohol abuse]]> <![CDATA[Data]]> <![CDATA[Health]]> /?p=152863 <![CDATA[

Alcohol-induced deaths in London have reached a record high as of 2023 but are still low compared to the rest 715d26

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Alcohol-induced deaths in London have reached a record high as of 2023 but are still low compared to the rest of England.

According to recently released data from the Population Health Monitoring Group for the Office of National Statistics, the rate of alcohol-based deaths per 100,000 in the capital increased from 11.2 to 11.6 between 2022 and 2023, with a total of 869 deaths in 2023.

While this is an increase, it is still a low rate compared to other regions of England, such as the North East which tops the list with 25.7 deaths per 100,000. 

Alcohol-induced in these records is defined as directly resulting from alcohol usage, such as death from liver disease, alcohol-induced pseudo-Cushing’s syndrome, pancreatitis or alcohol poisoning.

Ash Singleton, director of research and public affairs for Alcohol Change UK, said policy is to blame for such high alcohol rates in the north east.

He said: “In Scotland you have minimum unit pricing, which makes it more expensive to buy alcohol in shops.

“You don’t have that in the north east of England so those sorts of super cheap, high treat, high strength drinks that cause a lot of problems are just coming off the shelves.”

Cost as a major factor would explain lower numbers in London where the cost of living, and of goods like alcohol, is comparatively much higher. 

Another aspect to consider, however, is loneliness and depression, both of which seriously increased during the pandemic and disproportionately affected poor and rural communities, like many up north.

Singleton said: “Lots of people during the pandemic just sort of started drinking heavily. 

Pubs were closed—you can go and buy alcohol cheaper in shops. 

“I think for a lot of people, it was difficult, particularly when you couple it with wider cuts to funding the NHS, I think it’s really created that toxic environment that has led to an increased number of deaths.”

Singleton also discussed a concept called the ‘alcohol harm paradox’, in which the most deprived people are more likely to die from alcohol-based causes because of worse healthcare, even if they drink less.

Robert Weiss, a social worker who specialises in addiction, agrees.

He said: “Access to resources is always a major factor when we’re talking about alcoholism and risk of death.

“People living in bigger and better-connected cities are going to have more resources for help, and if you’re living in a rural area it’s a lot harder to get what you need.

“Mental health is a bigger deal in poor areas and rural areas, because economically it hits harder when you see an entire town lose the one factory or their one [key workplace].

“The pandemic was an economic disaster for many people, and there clearly wasn’t as much recovery for rural areas afterward.”

A clear disparity was also present in alcohol-based death rates between men and women, both throughout England and within London, with men almost twice as likely to die of alcohol-related causes.

While this disparity is consistent with previous data, for London specifically the divergence increased, with the rate of alcohol-based deaths in men per 100,000 rising from 16.2 to 17.9 in 2022 versus 2023 respectively; a 10.5% increase.

Rates of London alcohol-based deaths in women per 100,000 actually decreased post-pandemic, falling from 6.8 in 2022 to 5.9 in 2023; a 15.3% decrease.

Singleton said: “There are a lot of cultural reasons that men tend to be less likely to access . 

“And there’s a lot of broad cultural things like people who’ve worked in particular industries, they’ve got used to feeling the alcohol helps them deal with the stress—particular jobs, like in the police, tend to be more men. 

“And there’s some sort of complex differences around how liver treatment and liver disease progresses differently in men and women.”

Weiss says that even worldwide, the disparity persists and that the problem is both chemical and societal.

He said: “Men have more testosterone, which leads to more risk-seeking behaviour and that extends to drinking.

“Men have also been socialised more to avoid their feelings, and avoidance is a very powerful psychological problem.”

In of combatting alcohol deaths in London, Singleton had some advice.

He said: “I think we can start to bring together the NHS, local councils, and local voluntary groups, to really focus on prevention and preventing alcoholism within London, to bring the different bits of the system together, because that’s where people slip through the net.”

Featured image: Pixabay

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Less than half of apprentices are achieving their qualification 3j634u /uncategorised/16052025-less-than-half-of-apprentices-are-achieving-their-qualification /uncategorised/16052025-less-than-half-of-apprentices-are-achieving-their-qualification#respond <![CDATA[Newsdesk]]> Fri, 16 May 2025 15:04:11 +0000 <![CDATA[Uncategorised]]> /?p=152617 <![CDATA[

Despite a strong uptake in apprenticeships across England, new data from GOV.UK shows a troubling gap between the number of

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Despite a strong uptake in apprenticeships across England, new data from GOV.UK shows a troubling gap between the number of people starting apprenticeships and those completing them.

The ‘Apprenticeship Learner Deprivation Report’ produced by GOV.UK  shows that the longer the apprenticeship, the harder the achievement rate is.

In 2024/25, 45,880 intermediate apprentices, 97,840 higher apprentices, and 103,380 advanced apprentices did not achieve their apprenticeship qualification. 

Intermediate apprenticeships, also known as Level 2 apprenticeships, typically last between 12 to 18 months.

Advanced apprenticeships, also known as Level 3 apprenticeships, typically last between 18 to 24 months

Higher apprenticeships, Level 4, 5, 6 and 7 are usually a minimum of two years and can last up to six years. 

The shortfall represents a major challenge for a system that has been heavily promoted as a key route into skilled employment, especially for young people and career changers seeking alternatives to university.

An apprenticeship is beneficial because you receive a qualification as well as gaining real life work experience which most employers are looking for. 

However, striking that balance from the company/training providers’ perspective can be challenging and requires empathy. 

Nadine Bourne-Harris, Early Careers & Apprenticeship Programme Management, has more than seven years’ experience working with apprentices.

Bourne-Harris said: “The most common challenges apprentices share are around their balancing workload, particularly in the early stages and then again as they approach their End-Point Assessment.”

Apprenticeships have continued to attract high levels of interest across a range of sectors from construction and engineering to health, business, and digital industries.

The 2019/2020 start figures reflect this demand, with employers and training providers enrolling more than 320,000 learners.

However, the data highlights a stark contrast between this strong uptake and the relatively low number of completions, raising concerns about how well apprentices are ed once they begin.

Eden Wakefield-James, Level 6 project management apprentice said: “It’s become more challenging as time has progressed.

“We have formal performance reviews every 6 months and if you’re scoring one or two out of five (five being the highest), you’re at risk of being taken off a project or not receiving a promotion once you’ve completed the apprenticeship.

“We also have exams throughout the year which we must , that adds to the pressure.”

The 45% completion rate means that nearly 176,000 people who started an apprenticeship in 2019/2020 did not finish.

For employers, that represents lost investment in training and for learners, it could mean missed job opportunities, stalled career progression, and wasted time.

It’s worth noting that the COVID-19 pandemic did have an impact on the above figures but the problem has continued to grow into the present day. 

Many are dropping out for multiple reasons which consist of but are not limited to: lack of from employers or training providers, unrealistic work-study balance, inconsistent training quality, and poor job satisfaction.

Bourne-Harris added: “Another common challenge would have to be experiencing impostor syndrome.

“I’ve found this to be the case especially with younger apprentices who may be working alongside more experienced colleagues.”

In a 2022 report by Ofsted, inspectors found that some apprenticeships were poorly structured, with learners left confused about expectations or given work that didn’t align with their training plan.

The report states that the quality of apprenticeships are inadequate by 11%, requires improvement by 15%, and are insufficient by 5%.

Wakefield-James is two years and seven months into her apprenticeship.

She added: “Coming in as a young person and going into a world of work where everyone is experienced and knowledgeable felt intimidating.

“Trying to juggle university and work life can become overwhelming as you have two roles to fulfil, one as an employee and one as a student.

“If you’re lucky, your work will align with your assessments and coursework but that hasn’t always been the case for me.”

Her experience is shared by many other apprentices around the UK, especially those doing higher apprenticeships.

The apprenticeship system has undergone several changes in recent years, including the introduction of the Apprenticeship Levy in 2017 and a shift towards higher-level apprenticeships.

While these reforms aimed to improve quality and ability, critics argue they have not addressed the root causes of low achievement rates.

Some employers reportedly struggle to manage the istrative demands of apprenticeship standards, while providers face funding pressures that limit the level of pastoral and academic they can offer.

The challenge now is ensuring that every apprentice who starts is equipped, ed, and motivated to finish.

As the data shows, enthusiasm for apprenticeships is strong.

But unless achievement rates are improved, thousands of learners each year will continue to fall short of qualification and the system will continue to fall short of its potential.

Featured image credit: ThisisEngineering via Unsplash

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Sharp increase in electric vehicle fires sparks LFB concern 255j1l /news/16052025-sharp-increase-in-electric-vehicle-fires-sparks-lfb-concern /news/16052025-sharp-increase-in-electric-vehicle-fires-sparks-lfb-concern#respond <![CDATA[Newsdesk]]> Fri, 16 May 2025 14:59:23 +0000 <![CDATA[News]]> <![CDATA[Uncategorised]]> <![CDATA[LFB]]> <![CDATA[London]]> /?p=152693 <![CDATA[

Fires caused by an electric vehicle continue to rise in London, with the number of incidents caused by electric bikes,

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Fires caused by an electric vehicle continue to rise in London, with the number of incidents caused by electric bikes, cars and scooters showing a sharp increase since the same period last year.

The latest figures released by the London Fire Brigade, who reported that they attended an average of one e-bike or e-scooter incident every other day in 2024, show that the number of fires caused by electric cars, bikes and scooters in January and February 2025 was 57, up 39% from the same period last year.

Mum-of-three Katie Mitchell, 40, was terrified when an electric motorbike that she’d bought as a gift for her ten-year-old son Teddy ignited in March this year, creating a huge inferno on her lawn.

She said: “It was really quick, a sort of gas flew out of the battery and in seconds it just went up.

“The fire brigade said that it’s happening all the time.”

There was a swift response from the emergency services to stop the fire, and no one in her family was harmed, but the ordeal has shaken Katie, who insisted she would never consider purchasing another electric vehicle again.

Mitchell said: “It was really scary, the kids were really scared. Imagine if my boy was on it.”

Such fires often occur when the lithium batteries that power these vehicles fail and explode, creating fast-spreading  fires that are more ferocious than regular electrical fires and produce highly toxic vapours.

The batteries can fail for a number of reasons, such as if they are fake, counterfeit or damaged, overcharged or incorrectly charged, or have been built poorly.

Lithium batteries are used to power a number of items, including e-cigarettes and electric buses, but e-bikes, cars and scooters are by far the biggest culprit, comprising 63% of all lithium battery and electric vehicle fires since 2017.

E-bikes and scooters powered by these batteries are becoming increasingly popular as an environmentally friendly and energy efficient way to travel around the capital, but many people are buying cheap models online or modifying regular bikes themselves.

Of 142 e-bike fires to occur across London in 2024, 43 were caused by bikes that had been converted from a normal pedal cycle, 23 were a manufactured e-bike and 76 were unknown.

The LFB has warned that particular products such as batteries, chargers and conversion kits purchased from online marketplaces are at greater risk of malfunctioning, as they are not held to the same regulatory standards as high street alternatives.

Deputy Assistant Commissioner for Prevention and Protection, Richard Field, said: “At this time, there is not the same level of regulation of products for e-bikes and e-scooters sold via online marketplaces or auction sites when compared to high street shops, so we cannot be confident that products meet the correct safety standard.

“We understand that people are trying to save money, but if you spot a deal that looks too be good to be true, it probably is.”

The effects of such electrical fires can be devastating, resulting in eight fatalities and 381 injuries since 2017.

Field added: “They have destroyed homes and families have sadly lost loved ones in these fires.”

To try and raise awareness about the dangers of e-bike and e-scooter fires, London Fire Brigade launched the ongoing #ChargeSafe campaign in the spring of 2023.

Alongside publishing safety advice, they are also using the campaign to call for stricter safety standards and regulation around e-bikes and scooters.

In March of this year TfL, in further acknowledgement of the danger posed, banned non-folded e-bikes, including converted bicycles and e-scooters, on all their tube, Overgound, Elizabeth Line and DLR services, becoming the UK’s first operator to enforce a ban.

This comes after a number of instances of e-bikes catching fire on London’s transport network, including a fire at Sutton Railway station.

This ban is just one of a number of potential regulatory measures being considered, including the Product Regulation and Metrology Bill, which had its second reading in the commons in April.

The bill will see the Government work with businesses, consumer groups and online marketplaces to develop a regulatory framework and online marketplace requirements to tackle the purchase of unsafe materials and conversion kits, though many believe that much more needs to be done to tackle a serious lack of regulatory standards.

Mitchell said: “I think that they need to come with more warnings, the government’s allowing it to happen.”

Those who wish exercise caution when purchasing an electric vehicle can visit the London Fire Brigade’s Charge Safe Campaign for advice: ChargeSafe | London Fire Brigade, but should mainly focus on using chargers and batteries that meet UK safety standards by buying official vehicles from a reputable seller.

Images courtesy of the London Fire Brigade

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Phone thefts are increasing in residential areas in London 4o4l3 new data finds /uncategorised/16052025-phone-thefts-are-increasing-in-residential-areas-in-london-new-data-finds /uncategorised/16052025-phone-thefts-are-increasing-in-residential-areas-in-london-new-data-finds#respond <![CDATA[Newsdesk]]> Fri, 16 May 2025 14:41:27 +0000 <![CDATA[Uncategorised]]> /?p=152883 <![CDATA[

Phone thefts have significantly increased in residential areas in London in the last five years, Met Police data has found.

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Phone thefts have significantly increased in residential areas in London in the last five years, Met Police data has found.

Phone snatching has been a growing issue within the capital for a number of years, prevalent in central London.

However, recent data has found that this has become an increasing issue within the capital in residential and suburban boroughs, such as Camden, Tower Hamlets and Wandsworth. 

Data from the Metropolitan Police shows in the year from April 2021, the areas with the highest amount of phone snatching were within Central London, such as Westminster (1,297), Lambeth (666) and Southwark (580).

In comparison, smaller residential boroughs are significantly lower, such as Wandsworth (180), Newham (421) and Camden (583).

From April 2024 to May 2025, the areas with the highest number of phone snatchings remain in the most central parts of London, such as Westminster (1,733), Lambeth (968) and Southwark (818).

However, there is a jump in the number of reported thefts in these residential boroughs, Wandsworth (215), Newham (544) and Camden (752). 

https://public.flourish.studio/visualisation/23105176/

Wandsworth: 19% increase               Westminster: 34% increase

Newham: 29% increase                     Lambeth: 45% increase

Camden: 29% increase                     Southwark: 41% increase

This data suggests that, although phone snatchings remain high throughout the borough, it has become a growing problem in residential areas too.

Home and Political correspondent for Sky News, Matthew Thompson, explained these findings and recounted his own experience with a phone snatcher in 2019 in Finsbury Park.

He said: “[The phone snatcher] He just cycled past me as I was sort of texting one-handed and before you knew it had snatched my phone out of my hand.

“I was very lucky that, because he was on a pedal bike he was slower to get up to full speed so I caught him and he threw my phone and he cycled off.

“It was very shocking to me to sort of be the victim of an attempted crime when I spent a lot of my professional life analysing these things – so that was a real moment for me.”

Thompson, who has looked at the data over a number of years, told me he saw a significant increase in the amount of phone snatching outside of central London, rising by 50% from 2017 to 2023.

Thompson said: “It makes sense for them to start trying to do it more and more in the outer suburbs of London where there is a much less chance of them being caught.”

He found that the amount of phone thefts are higher during the hours of 6-7pm, targeting people who are commuting from work. 

He said: “They have moved from targeting people as they leave their workplaces in built-up city areas where they know there are lots of police to targeting them when they arrive on the other side, at their home station, when they are in Finsbury Park rather than Oxford Circus.”

Further explanation to explain this phenomenon, can be linked to the increase in low traffic neighbourhoods in London according to Thompson, which has increased in the last few years.

Thompson said: “They know that if they snatch a phone near a low-traffic neighbourhood, if there is a police officer giving chase, they can disappear behind these flowerbeds or bollards blocking the street and the police then in their car can’t follow.”

Low traffic neighbourhoods, residential neighbourhoods where vehicle traffic is restricted or removed, have reported lower levels of crime, such as Waltham Forest, which has decreased by 10% from 2012 to 2019.

However, with phone snatching being more of a trend in the 2020s rather than 2010s, these findings may not for the amount of phone thefts.

Met Police Cmdr Owain Richards commented back in January: “It’s an invasive and sometimes violent crime and we’re committed to protecting Londoners and tackling the issue as we make the capital safer.”

This data is just the tip of the iceberg however, because, as with many low level crimes, they are not always reported to the police because of the belief that it is pointless. 

“The public knows that the police are struggling,” Thompson said.

“The chances of them properly investigating low level crime like this and getting their phone back are really slim.”

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Richmond is London’s top borough for bicycle thefts at stations 396d67 /news/richmond/14052025-richmond-is-londons-top-borough-for-bicycle-thefts-at-stations <![CDATA[Newsdesk]]> Wed, 14 May 2025 14:22:20 +0000 <![CDATA[Life]]> <![CDATA[Richmond]]> <![CDATA[Uncategorised]]> <![CDATA[bikes]]> <![CDATA[crime]]> <![CDATA[cycling]]> <![CDATA[London]]> <![CDATA[theft]]> <![CDATA[Twickenham]]> /?p=151975 <![CDATA[The outside of Twickenham Station

South west London has emerged as a hotspot for bicycle thefts at train stations, with the borough of Richmond reporting

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<![CDATA[The outside of Twickenham Station

South west London has emerged as a hotspot for bicycle thefts at train stations, with the borough of Richmond reporting the highest number of incidents across the capital.

Bicycle theft is one of the most prevalent crimes in London, with an incident happening every 16 minutes. 

In 2024, nearly a thousand of these thefts were of bicycles locked up at stations, according to data from the British Transport Police. 

Data from London rail, overground, tube and tram stations shows a significant density of these bicycle thefts from stations in the South West, with Surbiton, Richmond, Twickenham and Teddington stations consistently among the highest number of reported thefts from 2019 until 2024. 

The data shows a high density of thefts in the borough of Richmond upon Thames

Stations in Richmond recorded 734 reported incidents in the six year period and Kingston upon Thames followed with 405. 

Stations Richmond and Kingston alone recorded more than a fifth of total bicycle thefts from stations across all of London’s 33 boroughs, based on data obtained by a Freedom of Information request. 

Jake Neale, Retail and Marketing Manager at Richmond Cycles, said: “In the last couple of years, it definitely feels like that’s happening more regularly, both from outside stations, but also from homes and elsewhere.”

The average price of new bicycles in the United Kingdom sat at around £590 in 2023, according to Statista research. Some models can sell for significantly more.

Neale added: “It’s definitely not uncommon around here to see £10,000 bikes.”

High value models which are rarely ed and difficult to trace, with a low likelihood of police intervention, makes bicycles an appealing target for thieves, according to Neale. 

He said: “They just cut through the street furniture because these days, bike theft is no longer just teenagers seeing an unlocked bike and just grabbing it for a bit of fun. It’s a real targeted theft. They know what they’re doing.

“They’re rocking up with unmarked vans and ankle drivers and completely covered faces, and they’re in and out within seconds. It’s basically impossible to stop, really.” 

For Neale, who has worked at Richmond Cycles for over seven years, it makes sense for bike thefts to be more common in the South West, as it’s a more affluent part of London and bikes are likely to be of higher value. 

Yet the number of thefts is not directly correlated to affluence.

In fact, Hammersmith & Fulham and Kensington & Chelsea rank highest for resident’s disposable income, according to Trust for London data, yet they have the lowest number of reported bicycle thefts. 

Neale also noted the proximity to Richmond Park, one of London’s most popular spots for the cycling community, which may attract cyclists to the area, who may be more likely to buy higher value bikes. 

Ben Holland, a podcast host, has had six bikes stolen in the 20 years he has lived in South London, leaving him financially strained and frustrated.

These thefts have deterred him from repurchasing an aspirational bike, because the risk of getting it stolen is too high. 

The 41-year-old said: “I saw a bike someone was selling, an expensive specialized bike, for next to nothing. That’s a really amazing, beautiful bike, and it’d be nice to ride around. And I thought, oh, actually, no. That’s crazy, it’s not worth having one. 

“I feel very confident that by having a cheap bike and an expensive lock, like a lock that’s literally worth more than the bike, then you’d always be fine.” 

As a result of the number of thefts from London stations, the British Transport Police have launched a campaign in collaboration with the tracking website, Bike.com to make stolen bikes more easily traceable. 

The campaign aims to raise awareness about the high frequency of bicycle theft in London and encourages cyclists to “double lock” their bikes as a preventive measure.

The data reveals a slight improvement in the number of reported thefts from 2023 to 2024.

The British Transport Police said: “We are pleased to see a decrease in reports of thefts at Twickenham and Richmond in 2024 compared to the previous year.  

“We are aware that every offence is one too many, and we will continue to work relentlessly alongside our policing partners and partners in the rail industry to further reduce incidents of theft and criminality across the railway network. 

“Our patrols are targeted and ed by statistics to ensure that our officers are exactly where they are most needed.”

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Blue Note Jazz Club to open in Covent Garden following licensing battle 1j5344 /news/07052025-blue-note-jazz-club-to-open-in-covent-garden-following-licensing-battle <![CDATA[Newsdesk]]> Wed, 07 May 2025 14:39:09 +0000 <![CDATA[Entertainment]]> <![CDATA[News]]> <![CDATA[Uncategorised]]> <![CDATA[Westminster]]> <![CDATA[Council]]> <![CDATA[councillor]]> <![CDATA[Covent Garden]]> <![CDATA[grassroots]]> <![CDATA[grassroots music venues]]> <![CDATA[Jazz]]> <![CDATA[jazz club]]> <![CDATA[Licensing]]> <![CDATA[Live music]]> <![CDATA[music venue]]> <![CDATA[performing]]> <![CDATA[soho]]> <![CDATA[Westminster Council]]> /?p=151796 <![CDATA[BRIT award winner Raye singing at Blue Note's New York venue. (Picture credit: Dervon Dixon)

The Blue Note Jazz franchise will open its first UK venue in Covent Garden next year following a public appeal

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<![CDATA[BRIT award winner Raye singing at Blue Note's New York venue. (Picture credit: Dervon Dixon)

The Blue Note Jazz franchise will open its first UK venue in Covent Garden next year following a public appeal for later opening hours. 

The venue, which will contain two performance spaces with capacities for 250 and 100 people respectively, will remain open until 1am six days a week, and until midnight on Sundays. 

The venue was originally granted more restrictive licensing hours, sparking a petition and widespread across the jazz world, and leading to Blue Note appealing against Westminster Council’s decision.

Blue Note Entertainment Group president Steve Bensusan said: “We’re excited to be coming to London and grateful to Westminster Council for recognising what Blue Note can bring to the city’s nightlife. 

“As we prepare to open in early 2026, we’re looking forward to bringing world-class jazz and a deep cultural legacy to one of the greatest music cities in the world.”

Many musicians and venue owners criticised Westminster Council’s original ruling as being detrimental to the UK’s dwindling grassroots scene. 

A report commissioned by the House of Commons last year found grassroots venues were closing at a rate of around two per week. 

The Music Venue Trust’s venue team manager Sophie Asquith said: “Music Venue Trust is delighted to learn that Blue Note has been granted a licence with the hours needed to enable its world-famous jazz operation to flourish in central London.

“Their plans and commitment have been thorough and conscientious throughout, and so we were very pleased to speak in of the application at their recent hearing.

“The charity wishes them every success in their vision, bringing the very best in global and local grassroots jazz talent to their latest home in London.”

Jazz venues tend to prefer later operating hours as it allows performers to appear multiple times in the course of an evening, and generate a greater income.

Historically, it also provided an opportunity for rookie musicians to perform after the main acts have finished, which many veterans view as a rite of age.

Musician and booker Leo Green, 52, said: “If you want to end up with the kind of artists who have the ability to fill rooms like the O2, the Albert Hall or the Palladium, you have to come through the small venues.”

Questlove playing the drums at Blue Note's New York venue. (Picture credit: Dervon Dixon)
Questlove playing the drums at Blue Note’s New York venue. (Picture credit: Dervon Dixon)

A spokesperson for Westminster Council said every licensing decision is carefully considered, and the council must keep in mind the needs of their residents as well as businesses. 

They added: “In this case it was clear that venue management have engaged extensively with local people to improve their application and address the concerns that were raised by the police.”

The Metropolitan Police had launched an objection to Blue Note’s original application on the basis audience leaving the venue late at night would lead to an uptick in crime and antisocial behaviour.

Despite it being relatively common for the police to make such objections against licensing applications, their reasoning drew widespread ire.

Jazz musician Ray Gelato, 63, said: “I’ve been in this business over 40 years, and I’ve never seen an ounce of trouble ever. 

“Music gets people away from that.”

Westminster Council announced their decision to approve the new premises licence application on 1 May, and included in their statement their After Dark Strategy, which sets out a roap for improving the city’s nighttime environment. 

Council cabinet member for planning and economic development Geoff Barraclough said: “This is exactly the kind of venue we want to see more of in Westminster and which is encouraged in our After Dark strategy as part of a more varied evening and night-time offer across the city. 

“As a jazz lover myself, I can’t wait to visit.”

Blue Note Jazz operates ten renowned venues across the world, including in New York, Milan, Shanghai, and São Paulo.

The London venue is due to open its doors in early 2026, with further details to be announced later this year. 

Picture credit: Dervon Dixon

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Review 6p3c3z Scenes from a Repatriation at the Royal Court /entertainment/02052025-review-scenes-from-a-repatriation-at-the-royal-court <![CDATA[Newsdesk]]> Fri, 02 May 2025 10:55:02 +0000 <![CDATA[Entertainment]]> <![CDATA[Kensington & Chelsea]]> <![CDATA[Uncategorised]]> <![CDATA[Acting]]> <![CDATA[British Museum]]> <![CDATA[China]]> <![CDATA[debut]]> <![CDATA[drama]]> <![CDATA[Joel Tan]]> <![CDATA[new writing]]> <![CDATA[play]]> <![CDATA[playwright]]> <![CDATA[repatriation]]> <![CDATA[theatre]]> <![CDATA[theatrical]]> /?p=151691 <![CDATA[Sky Yang and Fiona Hampton as a student and professor in Joel Tan's 'Scenes from a Repatriation' at the Royal Court (Picture credit: Alex Brenner)

There is a fear which comes from watching an anthology-style play that the structure will expose some scenes as being

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<![CDATA[Sky Yang and Fiona Hampton as a student and professor in Joel Tan's 'Scenes from a Repatriation' at the Royal Court (Picture credit: Alex Brenner)

There is a fear which comes from watching an anthology-style play that the structure will expose some scenes as being stronger and some, detrimentally, as being weaker.

In Joel Tan’s new play, Scenes from a Repatriation, that fear could not be more unfounded as it is an absolute spectacle. 

It covers a string of scenes in the repatriation of a Boddhisattva Guanyin from the British Museum to China, including a boycott by Chinese students in London, negotiations with the British Museum, a Q&A with an art historian, a billionaire’s party, and a police interrogation, the whole play bookended with heart-stopping violence.

The structure means that the cast are constantly multi-roling, shapeshifting in age, physicality, and language. 

There is not one weak performance in any of the dozens of roles all night, but a special mention must go to Aidan Chen, whose various physicalities and consistently note-perfect comic timing were out of this world. 

He metamorphosed from a stuffy museum curator, pointedly blowing his vape across the stage to communicate his delicious ive aggression, to a chill-inducing political prisoner in a windowless room in Hong Kong, and a spoken word artist suffering under the conflict between his Chinese heritage and his sexuality, in a speech suffused with bone-dry irony.

Aiden Cheng as a political prisoner in Joel Tan's 'Scenes from a Repatriation' (Picture credit: Alex Brenner)
Aidan Cheng as a political prisoner in Joel Tan’s Scenes from a Repatriation (Picture credit: Alex Brenner)

The script demanded a great deal of its six actors, flitting between belly laughs and pin-drop drama at the drop of a hat, and it is a testament to Tan’s writing that it came together with such great success. 

Tan demonstrated some of the best-executed nuancing I can recall, which is just about the highest compliment I can muster.

No character survived his examination, and no character was wholly good or bad.

His writing of arguments was a particular high point, notably during the meeting between a university professor and her student who is calling for a protest against the British Museum. 

Every interruption, interjection, accusation, and explanation told its own story, whether that was a micro-aggression, or a desperate plea to be understood. 

The set design, sound, and lighting were also all utterly faultless.

The Jerwood Theatre Upstairs at the Royal Court is not a large space, but every inch was put to use.

The traverse stage was completely submerged beneath sand, while the screen above the entrance become a museum placard at one point and a window to a spiritual communion at another.

Sitting on the front row, I was utterly absorbed into the set, getting splashed with water, having my bare knee pawed repeatedly by the foot of a particularly flirtatious Chinese dragon, and still found grains of sand in my socks hours later. 

At the far end from the entrance sat the subject of repatriation, the Guanyin statue, which was entirely swaddled in protective material and rope, so that it was only visible as a vague shape.

Despite this, I found myself repeatedly and subconsciously looking towards her throughout the performance, knowing that I wouldn’t be able to see her.

Yet, at the same time, I wanted to check whether her expression had changed in response to the scene in front of her, such was her presence within the show. 

In each scene her meaning shifted, from maternity to homesickness, to patriotism, to separatism, to one last desperate source of hope. 

The show was directed by the experimental duo emma + pj with great inventiveness, particularly considering the comparatively small stage space. 

The directorial choices felt wonderfully effortless throughout, playing to both sides of the traverse seating without appearing to be too overly-considered.

A particular high point came during the police interrogation scene, performed in Chinese, in which English subtitles were displayed on the screen in front of the interrogator.

This created a sense the dialogue had taken a three-dimensional form in the space, and enveloped the audience in the foreign language in an artful and highly effective way.

Kaja Chan as an interrogator performing in Chinese with English subtitles. (Picture credit: Alex Brenner)
Kaja Chan as an interrogator performing in Chinese with English subtitles. (Picture credit: Alex Brenner)

Besides being thoroughly gripping, the play was also hugely educational, enlightening the audience on both the history of China and the country’s contemporary issues.

At no point did the script slip into preachiness, or treat its audience as idiots – it was a pleasure to learn from it. 

Scenes from a Repatriation is a roaring success for Tan and his team, and a perfect fit for the Royal Court as a bastion of the highest calibre theatrical writing. 

Tickets are available here.

Picture credit: Alex Brenner

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WATCH 1l6825 Wandsworth launches 2025 London Borough of Culture with dance festival /news/02052025-watch-wandsworth-launches-2025-london-borough-of-culture-with-dance-festival <![CDATA[Newsdesk]]> Fri, 02 May 2025 08:49:56 +0000 <![CDATA[Entertainment]]> <![CDATA[News]]> <![CDATA[Uncategorised]]> <![CDATA[Wandsworth]]> <![CDATA[Mayor of London]]> <![CDATA[South West]]> /?p=151721 <![CDATA[A dance group occupy the stage at Strictly Wandsworth, posing and smiling for the camera.

Wandsworth launched the London Borough of Culture 2025 with a dance festival in Battersea Park, featuring 200 performers and hosted

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<![CDATA[A dance group occupy the stage at Strictly Wandsworth, posing and smiling for the camera.

Wandsworth launched the London Borough of Culture 2025 with a dance festival in Battersea Park, featuring 200 performers and hosted by Strictly Come Dancing star Oti Mabuse.

The London Borough of Culture initiative was set up in 2017 with funding and partnerships to showcase a borough’s unique cultural identity every other year, which is vital as council spending on culture has halved from £118 per person in 2010 to £59 in 2022 in England.

Past winners such as Waltham Forest and Croydon saw investment of more than £22 million, and opportunities for more than 26,000 young people. 

London Mayor Sadiq Khan said:  “I want every part of Wandsworth to be touched by the Borough of Culture, and every Wandsworth resident to get involved.” 

Watch the video below for more on the event, and to hear more from Mayor Khan.

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Life insurance with no medical exam required k6t55 Who qualifies and how to apply /uncategorised/01052025-life-insurance-with-no-medical-exam-required-who-qualifies-and-how-to-apply <![CDATA[mbazeley]]> Thu, 01 May 2025 09:25:07 +0000 <![CDATA[Uncategorised]]> /?p=151680 <![CDATA[Man g a document (Credit: Free to use from Unsplash)

Life insurance is an essential component of financial planning, offering peace of mind that your loved ones will be taken

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<![CDATA[Man g a document (Credit: Free to use from Unsplash)

Life insurance is an essential component of financial planning, offering peace of mind that your loved ones will be taken care of financially in the event of your death.

However, many Londoners avoid applying for life insurance because of the traditional medical exams required.

This is where life insurance with no medical exam required comes into play, providing a more accessible and convenient option for coverage. 

Types of life insurance with no medical exam 3j215w

Simplified issue life insurance is one of the most common types of no-medical-exam policies.

While it doesn’t require a medical exam, applicants are still asked a series of health-related questions.

These questions help the insurer assess the risk level and determine whether the applicant is eligible for coverage.

The questions may cover topics like:

  • Existing health conditions (e.g., diabetes, heart disease)
  • Smoking status
  • Family medical history
  • Current medications

Simplified issue policies typically have higher coverage limits than guaranteed issue policies and offer relatively quicker approval times.

However, applicants with serious health issues may face higher s or be excluded altogether.

Guaranteed issue life insurance 16f5r

Guaranteed issue life insurance is another form of no-medical-exam coverage.

This policy guarantees approval regardless of the applicant’s health status, with no medical questions asked.

It’s particularly suitable for Londoners with serious health conditions who may not qualify for other types of life insurance.

However, guaranteed issue policies often come with limitations, such as:

  • Lower coverage amounts
  • Higher s
  • A waiting period before the full death benefit is available (typically two to three years)

These policies can be ideal for people looking for basic coverage but are usually more expensive compared to simplified issue policies.

Other variations c5819

Some group life insurance policies, often provided by employers, may also fall under the no-medical-exam category.

These group plans typically do not require a medical exam, although coverage is usually limited and may not be portable if you change jobs.

Who qualifies for life insurance with no medical exam? 43n48

Qualifying for life insurance with no medical exam required largely depends on the type of policy and the applicant’s age, health, and lifestyle.

Here’s an overview of the main factors that affect qualification:

Age requirements 5hy6l

Most no-medical-exam life insurance policies have age restrictions.

Applicants are usually required to be between the ages of 18 and 75, although some policies may have broader age ranges.

For Londoners over the age of 50, guaranteed issue life insurance may be the most viable option.

Health considerations 3v5g5t

Health status is one of the most important factors in qualifying for no-medical-exam life insurance.

While there are policies that accept individuals with pre-existing conditions, the severity of those conditions can impact eligibility.

  • Simplified issue policies: These policies may accept individuals with minor health issues, such as mild hypertension or controlled diabetes, but applicants with serious conditions (e.g., cancer or terminal illnesses) may not qualify or may face high s.
  • Guaranteed issue policies: These are available to almost anyone, regardless of health conditions, but typically come with higher costs and lower coverage limits.

Lifestyle factors 3l1n2x

Lifestyle choices such as smoking, drinking, and weight can also influence your eligibility and s.

Smokers, for example, generally pay higher s for no-medical-exam life insurance due to the increased health risks associated with smoking.

Financial considerations 6i5f4c

While income and financial stability are less scrutinized in no-medical-exam policies, insurers may still evaluate the applicant’s ability to afford s.

Policies with higher coverage limits tend to be more expensive, so it’s essential to ensure that the s fit within your budget.

Policy Limits 4n5v16

The coverage amount available in no-medical-exam policies is often limited.

Simplified issue policies may offer higher maximum coverage amounts while guaranteed issue policies typically offer lower coverage limits.

How to apply for life insurance with no medical exam 2c5b2m

The application process for life insurance with no medical exam required is generally straightforward and less time-consuming than traditional life insurance applications.

Step 1: Research and compare policies 4r484u

Before applying, it’s important to research different no-medical-exam policies and compare s, coverage amounts, and insurers.

Make sure to read customer reviews, check the insurer’s financial stability, and consider any additional benefits or riders they offer.

Step 2: Complete the application 451v69

The application process typically involves filling out a form online or over the phone.

You will be asked to provide personal details such as your name, age, address, and health information.

For simplified issue policies, you will answer several health-related questions, while for guaranteed issue policies, no health questions will be asked.

Step 3: Review and conditions 2e4l64

Once you’ve completed the application, review the policy’s carefully.

Ensure that you understand any exclusions, waiting periods, and coverage limits before finalizing your decision.

Step 4: Final approval and issuance of policy 2n1240

Once your application is submitted, the insurer will review your information and determine your eligibility.

If approved, your policy will be issued, and you will typically receive your coverage details within a few days.

If denied, you may be offered alternative policies or coverage options.

Factors that could impact your s 1c161a

Several factors influence the s for no-medical-exam life insurance policies:

  • Age: Older applicants generally face higher s.
  • Health: Health conditions can significantly impact the cost, with applicants in poorer health paying more.
  • Lifestyle Choices: Smoking or excessive drinking can raise s.
  • Coverage Amount: The more coverage you choose, the higher your s will be.
  • Policy Type: Guaranteed issue policies tend to be more expensive than simplified issue policies.

Conclusion 3f271

Life insurance with no medical exam required offers a convenient, accessible option for securing financial protection without the need for a medical exam.

Whether you are in good health or have a pre-existing condition, there are policies available that can meet your needs.

By understanding the different types of no-medical-exam life insurance, qualifying factors, and the application process, you can make an informed decision that best suits your financial goals and personal circumstances.

Picture credit: Free to use from Unsplash

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J.M.W. Turner’s 250th birthday celebrated at his Twickenham house 5z38x /news/28042025-j-m-w-turners-250th-birthday-celebrated-at-his-twickenham-house <![CDATA[Newsdesk]]> Mon, 28 Apr 2025 14:57:04 +0000 <![CDATA[Entertainment]]> <![CDATA[Life]]> <![CDATA[News]]> <![CDATA[Richmond]]> <![CDATA[Uncategorised]]> <![CDATA[anniversary]]> <![CDATA[art]]> <![CDATA[birthday]]> <![CDATA[Celebration]]> <![CDATA[culture]]> <![CDATA[gallery]]> <![CDATA[Landscapes]]> <![CDATA[museum]]> <![CDATA[Painter]]> <![CDATA[paintings]]> <![CDATA[Turner]]> <![CDATA[Turner Prize]]> <![CDATA[Twickenham]]> /?p=151534 <![CDATA[Art fans gather on Richmond Hill for a talk from Gillian Forrester as part of Sandycombe Lodge's celebrations for Turner's 250th birthday. (Picture credit: Ciaran Whyte)

The 250th birthday of Britain’s foremost landscape painter J.M.W. Turner was celebrated at his former residence in Twickenham on 23 April.

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<![CDATA[Art fans gather on Richmond Hill for a talk from Gillian Forrester as part of Sandycombe Lodge's celebrations for Turner's 250th birthday. (Picture credit: Ciaran Whyte)

The 250th birthday of Britain’s foremost landscape painter J.M.W. Turner was celebrated at his former residence in Twickenham on 23 April.

Sandycombe Lodge, otherwise known as Turner’s House, was designed by Turner himself as a getaway from the bustle of London life, and is now a museum, with its interiors recreated as Turner would have had them. 

The celebrations, organised with Visit Richmond, began at Tate Britain, where the nominees for the Turner prize were announced, before travelling to Sandycombe Lodge for champagne, cake, and a speech from Richmond’s mayor, and onto Richmond Hill to take in the inspiration for his painting, ‘England: Richmond Hill on the Prince Regent’s birthday’.

In his speech, the Mayor of Richmond Richard Pyne said: “We in this borough are very thrilled that he chose to design and build this house in our borough and to live in our borough.

“It was wonderful that he lived here so happily with his father for so long.”

Sandycombe Lodge, Turner's Twickenham residence which he designed himself. (Picture credit: Charlotte Wilson)
Sandycombe Lodge, Turner’s Twickenham residence which he designed himself. (Picture credit: Charlotte Wilson)

The day also marked the opening of the museum’s new exhibition, ‘Turner’s Kingdom: Beauty, Birds, and Beasts’.

The collected artefacts include Turner’s own fishing rod, on loan from the Royal Academy, and a letter in which he signed his name with a cartoon of a mallard to signify the initial M for ‘Mallord’ in his name.  

The exhibition curator Nicola Moorby said: “This exhibition feels like such a perfect fit for the house, which is somewhere where you get to see a behind-the-scenes look at Turner, you get to see behind that armour of secrecy which he created around himself.

“We’re focussing on the birds and beasts that were known to be part of Turner’s household and his world during his lifetime, and using them as a way to understand a bit more about Turner the man.”

Moorby said that it was a real thrill for her to bring the ‘Farnley birds’ to the exhibition from Leeds.

These watercolour paintings of birds including a turkey, a heron, and a peacock, were part of a private project created for Turner’s friend and patron Walter Fawkes of Farnley Hall.

'Head of a Heron with a Fish', J.M.W. Turner, 1815. Part of the 'Farnley Birds' collection. (Picture credit: Leeds Museums and Galleries UK)
‘Head of a Heron with a Fish’, J.M.W. Turner, 1815. Part of the ‘Farnley Birds’ collection. (Picture credit: Leeds Museums and Galleries UK)

Sandycombe Lodge, built in 1813, was reopened to the public in 2017 after painstaking year-long restoration efforts, including the removal of an extra storey and white paint on the exterior walls, as well as the recreation of furniture and wallpaper using scraps and inventories from Marylebone and Chelsea.

Chair of Turner’s House Trust Lucy Littlewood said: “I think it’s very much as Turner would have had it when he first moved in.

“I personally feel it would have been a little bit muckier and messier if Turner had just returned from a fishing trip with his dad, so that’s chapter two for where we want to take the house in its next iteration.

“We want to bring more of Turner the man into the house.”

Current fundraising efforts will go towards making the house feel more lived-in in an effort to conjure a feeling of Turner’s continued presence in the residence.

Among the attendees at the birthday celebrations were a number of art critics, curators, and biographers.

Dr Jacqueline Riding, a curator and biographer, said: “We know minute by minute what Turner was doing when he was touring Europe, or going to Italy, or around Great Britain, but it’s those little bits of the character, the little bits of personal life that come through, that’s the bit I find really exciting.”

Biographer and TV producer Franny Moyle said: “You want an environment where the past is still present.

“I think being able to time slip and discover little bits of our past, and have a communion with the past, is healthy.”

The view of Richmond Hill which Turner depicted in his painting, 'England: Richmond Hill on the Prince Regent's birthday'. (Picture credit: Charlotte Wilson)
The view of Richmond Hill which Turner depicted in his painting, ‘England: Richmond Hill on the Prince Regent’s birthday’. (Picture credit: Charlotte Wilson)

On Richmond Hill, the assembled group was treated to a talk from the curator and art historian Gillian Forrester, with a particular focus on ‘England: Richmond Hill on the Prince Regent’s birthday’ which depicts the protected view. 

She said: “It’s about this view being absolutely emblematic of Englishness. 

“He’s really interested in those sort of symbolic resonances.”

She finished her speech by saying: “I feel quite moved by having the opportunity to talk about this in front of this spectacular view.” 

The exhibition ‘Turner’s Kingdom: Beauty, Birds, and Beasts’ will run until 26 October 2025.

Tickets and more information is available here: https://turnershouse.org/whats-on/

Picture credit: Ciaran Whyte

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